Original idea, choreography and performer: Francesco Marilungo
Director’s assistant and voice: Francesco Napoli
Light design: Gianni Staropoli
Costumes: Antonio Marras
A performance for a dancer and seven stuffed crows that deals with the transition of gender applied to the mythical figure of Mary Magdalene, between relics and souvenir. Over the centuries the image of this woman has been manipulated many times, and today has become the fulcrum of the awareness of a gender imbalance present in Christianity, and of reflection in Western society.